“Sequels are notoriously tricky. Even the characters in The Sequel acknowledge it. “They’re never as good as the first book, are they?”. Well, this one is. By shifting the focus to Anna, Korelitz gives the novel what many sequels lack: a sense of newness. While the story grows more intricate, she remains in control. Her plot ― ha! ― is propulsive, her prose precise.”
―The New York TimesBut when Anna publishes her book and indulges in her own literary acclaim, she begins to receive excerpts of a novel she never expected to see again, a novel that should no longer exist. That it does means something has gone very wrong, and someone out there knows far too much: about her late brother, her late husband, and just possibly… Anna, herself. What does this person want and what are they prepared to do? She has come too far, and worked too hard, to lose what she values most: the sole and uncontested right to her own story. And she is, by any standard, a master storyteller.
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